Search Search. Menu Sections. Helen Collender's mawkish historical perspective on her beloved Countess Markievicz, is utterly nauseating.
Behind Connie Markievicz's fetishistic, militarist, self-sacrificing image, lovingly manufactured by her personal photographer, lay a vain, violent, and intellectually vacuous woman. I n her self-deluded Mithcelite delirium, she indulged-in the most violent and grotesque rhetoric, goading those around her with her "crimson dream, of martyred men," an image that represented for her "Ireland's regal crown of state. Through her column in the Fianna she attempted by herinsane preaching to entice young women, and girls, into her part of the separatist blood-cult asserting: "Freedom secured by oratory, logic or votes," was simply a form of slavery.
Markievicz's soul did not heroically revolt against tyranny, but like her co-conspirators, against liberty. On hearing of the countermanding order she declared to Connolly, "I'll shoot McNeil. He paid the ultimate price for public service at her withering hand with a bullet in the brain. Significantly, like another hyper-active lunatic, deValera, Markievicz never recorded her experiences of If she was ashamed of her murderous brutality she didn't show it.
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